THE HOUSE PHENOMENON

Auteurs

  • Mihai TELEAGĂ Ph. Ds in Sociologie on “A. I. Cuza” University, Iasi

Mots-clés :

para-aesthetic, samplers, styles, play list, front house, kitsch, house music artists, paralysing influence.

Résumé

The most searched, the most highly praised, an art which is most closely related to the human, the musical creation has an unparalleled charm, the irrational craziness and the sublime power to raise the spirit. Irrespective of its genre, music is one of the most convincing methods of globalising the present. In this micro-analysis we shall refer to a relatively new musical genre which has spread over the entire world and which nowadays seems irreplaceable in house music discos and dance clubs.

Références

Bauman Z. 2004, Comunitatea, Ed. Antet, Filipestii de Padure, Jud.Prahova.

Berdiaev, N. 1980, Filosofia Inegalitatii, Lausanne.

Drimba O. 1984, Istoria culturii si civilizatiei, Ed. Stiintifica si Enciclopedica, Bucuresti.

Hegel G. and Wilhelm F. 1979, Despre Arta si Poezie, Ed. Minerva, Bucuresti.

Vlahuta, A. 1974, Opere literare, Ed. Didactica si Pedagogica, Bucuresti.

Fichiers supplémentaires

Numéro

Vol. 3 No 1 (2010): Sociologie si asistenta sociala, Tom III, 2010

Rubrique

SOCIAL PERSPECTIVES, APPROACHES AND CONCEPTS